Золотой век моды. Париж и Лондон (1947 - 1957)

«Золотой век, кажется, возвращается» Christian Dior, 1948

Винтажная обувь: Roger Vivier
Роже Вивье начал работать на Эльзой Скиапарелли в 1930 году. Он продолжал работать со многими другими кутюрье и сотрудничал с Dior, когда New Look принесли акцент на лодыжки и ступни. Вивье создал ряд инновационных форм пятки для Dior, в том числе пятки запятой и шпильках.

Roger Vivier for Christian Dior Pink satin with bow Paris late 1950s	Roger Vivier for Christian Dior Coral and diamante embroidered satin Paris late 1950s
Roger Vivier for Christian Dior Gold braid and glass beads Paris 1952-4	Roger Vivier for Christian Dior Pink satin embroidered with metal thread & sequins Paris, About 1958
Roger Vivier for Christian Dior Coral and diamante embroidered satin Paris, About 1958	Roger Vivier for Christian Dior Satin with diamante buckle Paris, Late 1950s
Roger Vivier for Christian Dior Tulle over satin Paris, 1954	...

Винтажная одежда: Модели 1947 - 1957

Suit by Cristóbal Balenciaga, Paris 1954 autumn/winter	Suit by Hardy Amies. Worsted wool, London, 1947	New Look jacket by Christian Dior. Fine wool, Paris 1947
Evening dress (robe du soir longue) by Jean Dessès. Chiffon. Paris, about 1953	'Zémire' evening ensemble by Christian Dior. Cellulose acetate, with the skirt lined with layers of silk and net. Paris, 1954-5 autumn/winter.	'Zémire' evening ensemble by Christian Dior. Cellulose acetate, with the skirt lined with layers of silk and net. Paris, 1954-5 autumn/winter.
Evening dress (robe de gala) by Jacques Fath. Paris, 1948 spring/summer.	Evening dress by John Cavanagh. Silk brocade designed by Oliver Messel. London, 1953.	'Les Muguets' (Lily of the Valley) evening dress by Hubert de Givenchy. Paris 1955.
Suit by Cristóbal Balenciaga, Paris 1951 autumn/winter.	Evening Gown by Jean Dessès. Voided silk velvet by Bianchini Férier. Paris 1948.	'Bar' suit and hat by Christian Dior. Silk shantung and wool crêpe. Paris, about 1955.
Evening dress by Pierre Balmainm. Organza embroidered with feathers and rhinestones, Paris about 1955	Cocktail dress by Michael Sherard. Lace and appliqué lace flowers, London 1958.	Corsetted underdress by Pierre Balmain. Silk netting and tulle, Paris about 1950.

Dress and petticoat, Pierre Balmain, Paris.	The label of a tailored suit jacket by Cristóbal Balenciaga, Paris 1954 autumn/winter.

Винтажная одежда: Фотографии 1947 - 1957

Photography of Lady Alexandra modelling the dress by Jacques Fath worn to the official visit of Princess Elizabeth to Paris in 1948. Private collection	Ready-to-wear copy of 'Zémire' by Susan Small, silk satin. Vogue (British edition), November 1954	Photograph of a Coronation collection evening dress by John Cavanagh, with the silk designed by Oliver Messel for Sekers. London, 1953 spring/summer.
Tailored suit by John Cavanagh, modelled by Susan Abraham. London, 1953. Photograph by John French.	A mid-1950s photograph by Willy Maywald of the 1947 'Bar' suit by Christian Dior.	Photograph by Seeberger of evening dress by Jean Dessès. Paris about 1953
Cocktail dress by Hardy Amies, modelled by Barbara Goalen, London, 1952. Photograph by John French.	Evening dress by Rahvis. London, 1947. Vogue (British edition) June 1947. Photograph by Clifford Coffin.	'Zémire' evening ensemble by Christian Dior, shown without jacket. Vogue (French edition), September 1954. Photograph by Clifford Coffin.

Винтажная одежда для кукол: Miss Virginia Lachasse

Miss Lachasse wears top coat by Lachasse in Rankine Hamilton ‘Dream Touch’ tweed, London 1954.	Miss Lachasse wears formal evening gown by Lachasse in silk satin by Jacqmar; surrounded by her outfits and accessories.
Fine wool afternoon dress and leather belt; with brassiere, corset and suede gloves by Warners, nylon stockings by Aristoc, and leather handbag by Asprey. London, 1954.	Detail of a cocktail dress with embroidered label by Lachasse. London 1954.

Источник публикации: The Golden Age of Couture и Bendigo Art Gallery

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